MAXIMUM EFFECT

Minimalism describes movements in various forms of art and design, especially visual art and music, where the work is set out to expose the essence or identity of a subject through eliminating all non-essential forms, features or concepts. 

Minimalism is any design or style in which the simplest and fewest elements are used to create the maximum effect.

Visual aspects of minimalism advocate works of art than of self-expression, using the simple the ordinary quadrilateral or cubic blanking awareness of specific image convey the possibility of the use of repeated or equal distribution practices, materials minimize processing usingThe original table the original texture as a selling point.

  As a specific movement in the arts it is identified with developments in post–World War II Western Art, most strongly with American visual arts in the 1960s and early 1970s. Prominent artists associated with this movement include Donald Judd, John McCracken, Agnes Martin, Dan Flavin, Robert Morris, Anne Truitt, and Frank Stella. It is rooted in the reductive aspects of Modernism, and is often interpreted as a reaction against Abstract expressionism and a bridge to Postminimal art practices.  The terms have expanded to encompass a movement in music which features repetition and iteration, as in the compositions of La Monte Young, Terry Riley, Steve Reich, Philip Glass, and John Adams. Minimalist compositions are sometimes known as systems music.

Glass bathtub, Minimalist geometric lines, the design of the bathroom products in a very original style.

Once,one meter diameter circular chandelier, exudes a poetic soft light.

Bubble Rock sofa, sleek styling and bright colors often appear in movies and comics of the 1960s. Different specifications of the base with a comfortable backrest

Tea table---Satellite1970s retro style. A variety of sizes and colors to choose from.

The term "minimalist" is often applied colloquially to designate anything which is spare or stripped to its essentials. It has also been used to describe the plays and novels of Samuel Beckett, the films of Robert Bresson, the stories of Raymond Carver, and even the automobile designs of Colin Chapman. The word was first used in English in the early 20th century to describe the Mensheviks.